| Type | work | bureau |
|---|
| Year / years | 1990 | 1975 |
|---|
| Place | Florida, Florida, United States | Tokyo, Tokyo, Japan |
|---|
| Place context | Florida, Florida, United States | Representative site: Higashiyama-ku, Higashiyama-ku, Japan |
|---|
| Climate | 30°C · 13.0h daylight · 14 km/h wind | 14°C · 13.2h daylight · 4 km/h wind · via Kyoto National Museum |
|---|
| Focus | Performance venue | 10 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Kyoto National Museum
- Museum of Modern Art
- Ken Domon Museum of Photography
- Tokyo Sea Life Park
|
|---|
| Typologies | - performance venue
- hospitality
| |
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | museum, landscape, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
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| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|