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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Street-facing concrete facade of Azuma House in Osaka, with the narrow opening and enclosed volume visible from the front.
Row House in Sumiyoshi

1976 · Osaka, Japan

Azuma House exterior view

Front elevation of Azuma House in Sumiyoshi, Osaka.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Row House in Sumiyoshi

Osaka, Japan · Exact work coordinates

OpenStreetMap
Field
Row House in SumiyoshiRow House in Sumiyoshi

1976 · Osaka, Japan

Yoshio Taniguchi and AssociatesYoshio Taniguchi and Associates

1975 · Tokyo, Tokyo, Japan

Typeworkbureau
Year / years19761975
PlaceOsaka, JapanTokyo, Tokyo, Japan
Place contextOsaka, JapanRepresentative site: Higashiyama-ku, Higashiyama-ku, Japan
Climate14°C · 13.2h daylight · 3 km/h wind14°C · 13.2h daylight · 4 km/h wind · via Kyoto National Museum
FocusHouse10 works in corpus
Architects
  • Tadao Ando
  • Yoshio Taniguchi
Linked context

Bureaus

  • Tadao Ando Architect & Associates

Notable works

  • Kyoto National Museum
  • Museum of Modern Art
  • Ken Domon Museum of Photography
  • Tokyo Sea Life Park
Typologies
  • residence
  • urban house
  • museum
  • landscape
  • building
Materials
  • concrete

Not recorded yet.

Carbon signals

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete

museum, landscape, and building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.

No levers surfaced yet.

AccessibilityPrivate or restricted8 of 8 recorded works are publicly accessible
Related books

No linked books yet.