| Type | work | bureau |
|---|
| Year / years | 1954 | 1975 |
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| Place | Neuilly-sur-Seine, Neuilly-sur-Seine, France | Tokyo, Tokyo, Japan |
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| Place context | Neuilly-sur-Seine, Neuilly-sur-Seine, France | Representative site: Higashiyama-ku, Higashiyama-ku, Japan |
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| Climate | 7°C · 14.0h daylight · 8 km/h wind | 23°C · 13.2h daylight · 10 km/h wind · via Kyoto National Museum |
|---|
| Focus | House | 10 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Kyoto National Museum
- Museum of Modern Art
- Ken Domon Museum of Photography
- Tokyo Sea Life Park
|
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| Typologies | | |
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| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Brick look like the main embodied-carbon drivers in the current palette. | museum, landscape, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
| No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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