| Type | work | bureau |
|---|
| Year / years | 1987 | 1975 |
|---|
| Place | Paris, Ile-de-France, France | Tokyo, Tokyo, Japan |
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| Place context | Paris, Ile-de-France, France | Representative site: Higashiyama-ku, Higashiyama-ku, Japan |
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| Climate | 13°C · 14.0h daylight · 13 km/h wind | 19°C · 13.2h daylight · 6 km/h wind · via Kyoto National Museum |
|---|
| Focus | Cultural institute | 10 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Kyoto National Museum
- Museum of Modern Art
- Ken Domon Museum of Photography
- Tokyo Sea Life Park
|
|---|
| Typologies | - cultural center
- institutional building
- museum
| |
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| Materials | | Not recorded yet. |
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| Carbon signals | Aluminum, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | museum, landscape, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
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| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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