| Type | work | bureau |
|---|
| Year / years | 1969 | 1975 |
|---|
| Place | Columbus, Columbus, United States | Tokyo, Tokyo, Japan |
|---|
| Place context | Columbus, Columbus, United States | Representative site: Higashiyama-ku, Higashiyama-ku, Japan |
|---|
| Climate | 6°C · 13.4h daylight · 9 km/h wind | 23°C · 13.2h daylight · 11 km/h wind · via Kyoto National Museum |
|---|
| Focus | Sacred building | 10 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Kyoto National Museum
- Museum of Modern Art
- Ken Domon Museum of Photography
- Tokyo Sea Life Park
|
|---|
| Typologies | - library
- church
- sacred space
- memorial
| |
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Brick look like the main embodied-carbon drivers in the current palette. | museum, landscape, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|