| Type | work | bureau |
|---|
| Year / years | 2017 | 1919 |
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| Place | Hamburg, Hamburg, Germany | Berlin, Berlin, Germany |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Alfeld (Leine), Alfeld (Leine), Germany |
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| Climate | 9°C · 14.4h daylight · 9 km/h wind | 8°C · 14.3h daylight · 3 km/h wind · via Fagus Factory |
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| Focus | Concert hall | 9 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Fagus Factory
- Sommerfeld House
- 66 Old Church Street, Chelsea
- Gropius House
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - building
- education
- house
- church
- sacred space
- museum
- infrastructure
- tower
|
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| Materials | | |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 5 of 5 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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