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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

WorksBureausMixedReset selection

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.

Image 1

2 World Trade Center (1971–2001)

1971 · New York City, New York City, United States

New York City, New York City, United States

1°C · 13.5h daylight · 8 km/h wind

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

2 World Trade Center (1971–2001)

New York City, New York City, United States · Exact work coordinates

OpenStreetMap

Focused slot

2 World Trade Center (1971–2001)

Image 1

New York City, New York City, United States

Climate: 1°C · 13.5h daylight · 8 km/h wind

Mapping: Exact work coordinates

View workMap pin

Comparison

Field
2 World Trade Center (1971–2001)

1971 · New York City, New York City, United States

Walter GropiusWalter Gropius

1919 · Berlin, Berlin, Germany

Typeworkbureau
Year / years19711919
PlaceNew York City, New York City, United StatesBerlin, Berlin, Germany
Place contextNew York City, New York City, United StatesRepresentative site: Alfeld (Leine), Alfeld (Leine), Germany
Climate1°C · 13.5h daylight · 8 km/h wind6°C · 14.2h daylight · 17 km/h wind · via Fagus Factory
FocusArchitecture9 works in corpus
Architects
  • Minoru Yamasaki
  • Walter Gropius
Linked context

Bureaus

  • Yamasaki & Associates

Notable works

  • Fagus Factory
  • Sommerfeld House
  • 66 Old Church Street, Chelsea
  • Gropius House
Typologies
  • tower
  • building
  • education
  • house
  • church
  • sacred space
  • museum
  • infrastructure
  • tower
Materials

Not recorded yet.

  • glass
Carbon signals

tower gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Glass look like the main embodied-carbon drivers in the current palette.

  • Glass
Lower-carbon levers

No levers surfaced yet.

  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityAccess not recorded5 of 5 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.