| Type | work | bureau |
|---|
| Year / years | 2010 | 1981 |
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| Place | Lausanne, Vaud, Switzerland | New York, New York, United States |
|---|
| Place context | Place Saint-François, Lausanne, Vaud, Schweiz/Suisse/Svizzera/Svizra | Representative site: Russell Avenue, Rockport, Maine, United States |
|---|
| Climate | 7°C · 13.5h daylight · 5 km/h wind | 12°C · 13.4h daylight · 17 km/h wind · via Center for Maine Contemporary Art |
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| Focus | University learning center | 1 works in corpus |
|---|
| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
|---|
| Linked context | Bureaus | Notable works - Center for Maine Contemporary Art
|
|---|
| Typologies | - university building
- learning center
- academic building
| - museum
- gallery
- performance venue
- civic building
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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