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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

National Theatre of Iceland in Reykjavik
National Theatre of Iceland

1950 · Reykjavik, Capital Region, Iceland

National Theatre of Iceland image

Seed wave 43 image for the National Theatre of Iceland.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

No coordinates are recorded for the current selection yet.

National Theatre of Iceland

Hero image

Seed wave 43 image for the National Theatre of Iceland.

Credit:

Rights: Unknown · unknown

Field
National Theatre of IcelandNational Theatre of Iceland

1950 · Reykjavik, Capital Region, Iceland

Toshiko Mori ArchitectToshiko Mori Architect

1981 · New York, New York, United States

Typeworkbureau
Year / years19501981
PlaceReykjavik, Capital Region, IcelandNew York, New York, United States
Place contextReykjavik, Capital Region, IcelandRepresentative site: Maine, Maine, United States
ClimateClimate unavailable3°C · 13.7h daylight · 25 km/h wind · via Center for Maine Contemporary Art
FocusNational theatre1 works in corpus
Architects
  • Guðjón Samúelsson
  • Toshiko Mori
Linked context

Bureaus

  • Guðjón Samúelsson

Notable works

  • Center for Maine Contemporary Art
Typologies
  • theatre
  • cultural building
  • civic building
  • museum
  • gallery
  • performance venue
  • civic building
Materials
  • concrete
  • stone

Not recorded yet.

Carbon signals

Concrete and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Stone

museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.