| Type | work | bureau |
|---|
| Year / years | 1997 | 1981 |
|---|
| Place | Bregenz, Vorarlberg, Austria | New York, New York, United States |
|---|
| Place context | Bregenz, Vorarlberg, Austria | Representative site: Maine, Maine, United States |
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| Climate | Climate unavailable | Climate unavailable · via Center for Maine Contemporary Art |
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| Focus | Museum | 1 works in corpus |
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| Architects | No architects linked yet. | |
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| Linked context | Bureaus No linked context yet. | Notable works - Center for Maine Contemporary Art
|
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| Typologies | - museum
- kunsthalle
- cultural building
| - museum
- gallery
- performance venue
- civic building
|
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| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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