saved.archi

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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Indian Institute of Management Bangalore

1977-1992 · Bengaluru, Karnataka, India

Bengaluru, Karnataka, India

22°C · 12.5h daylight · 3 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Indian Institute of Management Bangalore

Bengaluru, Karnataka, India · Exact work coordinates

OpenStreetMap

Indian Institute of Management Bangalore

Image 1

Bengaluru, Karnataka, India

Climate: 22°C · 12.5h daylight · 3 km/h wind

Mapping: Exact work coordinates

Field
Indian Institute of Management Bangalore

1977-1992 · Bengaluru, Karnataka, India

Toshiko Mori ArchitectToshiko Mori Architect

1981 · New York, New York, United States

Typeworkbureau
Year / years1977-19921981
PlaceBengaluru, Karnataka, IndiaNew York, New York, United States
Place contextBengaluru, Karnataka, IndiaRepresentative site: Maine, Maine, United States
Climate22°C · 12.5h daylight · 3 km/h wind7°C · 13.7h daylight · 23 km/h wind · via Center for Maine Contemporary Art
FocusManagement school campus1 works in corpus
Architects
  • Balkrishna Doshi
  • Toshiko Mori
Linked context

Bureaus

  • Vastu-Shilpa Consultants

Notable works

  • Center for Maine Contemporary Art
Typologies
  • education
  • campus building
  • institutional building
  • museum
  • gallery
  • performance venue
  • civic building
Materials
  • stone
  • concrete
  • landscape

Not recorded yet.

Carbon signals

Concrete, Landscape, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Landscape
  • Stone

museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.