| Type | work | bureau |
|---|
| Year / years | 2011 | 1981 |
|---|
| Place | Reykjavik, Capital Region, Iceland | New York, New York, United States |
|---|
| Place context | Reykjavik, Capital Region, Iceland | Representative site: Maine, Maine, United States |
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| Climate | 7°C · 15.6h daylight · 15 km/h wind | 0°C · 13.7h daylight · 14 km/h wind · via Center for Maine Contemporary Art |
|---|
| Focus | Concert hall and conference centre | 1 works in corpus |
|---|
| Architects | No architects linked yet. | |
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| Linked context | Bureaus No linked context yet. | Notable works - Center for Maine Contemporary Art
|
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| Typologies | - concert hall
- conference center
- cultural building
| - museum
- gallery
- performance venue
- civic building
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | museum, gallery, performance venue, and civic building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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