| Type | work | bureau |
|---|
| Year / years | 1997 | 1930 |
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| Place | Glasgow City, Glasgow City, United Kingdom | Osaka, Osaka Prefecture, Japan |
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| Place context | Glasgow City, Glasgow City, United Kingdom | Representative site: Kashihara, Kashihara, Japan |
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| Climate | 7°C · 14.6h daylight · 2 km/h wind | 22°C · 13.2h daylight · 13 km/h wind · via Kashiharajingū-mae Station |
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| Focus | Architecture | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
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| Typologies | | - building
- tower
- performance venue
|
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| Materials | Not recorded yet. | - concrete
- glass
- steel
- plaster
- timber
|
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| Carbon signals | campus building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
|
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| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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