| Type | work | bureau |
|---|
| Year / years | 2004 | 1930 |
|---|
| Place | Seattle, Seattle, United States | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | 4th Avenue Cycletrack, First Hill, West Edge, Seattle, Washington, United States | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 8°C · 13.7h daylight · 7 km/h wind | 9°C · 13.1h daylight · 4 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | Architecture | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | | - building
- tower
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel and Glass look like the main embodied-carbon drivers in the current palette. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|