| Type | work | bureau |
|---|
| Year / years | 1959-1965 | 1930 |
|---|
| Place | La Jolla, California, United States | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | Torrey Pines Scenic Drive, Torrey Pines, San Diego, California, United States | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 17°C · 13.0h daylight · 17 km/h wind | 18°C · 13.1h daylight · 11 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | Research institute | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | - institutional building
- research campus
- laboratory
| - building
- tower
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Teak, and Travertine look like the main embodied-carbon drivers in the current palette. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|