| Type | work | bureau |
|---|
| Year / years | 2010 | 1930 |
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| Place | Lausanne, Switzerland | Osaka, Osaka Prefecture, Japan |
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| Place context | Route Cantonale, Ecublens, Vaud, Schweiz/Suisse/Svizzera/Svizra | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 9°C · 13.5h daylight · 7 km/h wind | 22°C · 13.0h daylight · 6 km/h wind · via Kashiharajingū-mae Station |
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| Focus | Library and learning center | 3 works in corpus |
|---|
| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
|---|
| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
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| Typologies | - education
- library
- campus building
| - building
- tower
- performance venue
|
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| Materials | | Not recorded yet. |
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| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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