| Type | work | bureau |
|---|
| Year / years | 2002 | 1930 |
|---|
| Place | Sao Paulo, Sao Paulo, Brazil | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | Rua São Bento, Glicério, São Paulo, São Paulo, Brasil | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 25°C · 11.6h daylight · 8 km/h wind | 12°C · 13.0h daylight · 5 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | Public square canopy and urban intervention | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Paulo Mendes da Rocha Arquitetos
| Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | - public space
- urban intervention
- civic infrastructure
| - building
- tower
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|