| Type | work | bureau |
|---|
| Year / years | 2016 | 1930 |
|---|
| Place | Vancouver, Vancouver, Canada | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | West Georgia Street, Downtown, Coal Harbour, Vancouver, British Columbia, Canada | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 10°C · 13.6h daylight · 6 km/h wind | 12°C · 13.0h daylight · 5 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | Housing | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Arthur Erickson Architects
| Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | | - building
- tower
- performance venue
|
|---|
| Materials | Not recorded yet. | Not recorded yet. |
|---|
| Carbon signals | housing, tower, and hospitality gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|