| Type | work | bureau |
|---|
| Year / years | 1969 | 1930 |
|---|
| Place | Columbus, Columbus, United States | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | 5th Street, Columbus, Indiana, United States | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 25°C · 13.2h daylight · 26 km/h wind | 16°C · 13.1h daylight · 2 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | Sacred building | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | - library
- church
- sacred space
- memorial
| - building
- tower
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Brick look like the main embodied-carbon drivers in the current palette. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|