| Type | work | bureau |
|---|
| Year / years | Unknown | 1930 |
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| Place | Aguascalientes, Aguascalientes, Mexico | Osaka, Osaka Prefecture, Japan |
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| Place context | Calle de Vázquez del Mercado, Barrio de la Estación, Aguascalientes, Aguascalientes, México | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 16°C · 12.8h daylight · 3 km/h wind | 18°C · 13.2h daylight · 6 km/h wind · via Kashiharajingū-mae Station |
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| Focus | House | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
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| Typologies | | - building
- tower
- performance venue
|
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| Materials | | - concrete
- glass
- steel
- plaster
- timber
|
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| Carbon signals | Glass look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
|
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| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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