| Type | work | bureau |
|---|
| Year / years | 1500 | 1930 |
|---|
| Place | Groningen, Groningen, Netherlands | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | Broerstraat, Centrum, Binnenstad-noord, Groningen, Groningen, Nederland | Representative site: 久米町, 橿原市, 日本 |
|---|
| Climate | 10°C · 13.9h daylight · 5 km/h wind | 20°C · 13.0h daylight · 4 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | Sacred building | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | | - building
- tower
- performance venue
|
|---|
| Materials | Not recorded yet. | Not recorded yet. |
|---|
| Carbon signals | church and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | building, tower, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|