| Type | work | bureau |
|---|
| Year / years | 2000 | 1930 |
|---|
| Place | Central Islip, Central Islip, United States | Osaka, Osaka Prefecture, Japan |
|---|
| Place context | Central Islip, Central Islip, United States | Representative site: Kashihara, Kashihara, Japan |
|---|
| Climate | 10°C · 13.5h daylight · 10 km/h wind | 16°C · 13.2h daylight · 6 km/h wind · via Kashiharajingū-mae Station |
|---|
| Focus | House | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Richard Meier & Partners Architects
| Notable works - Kashiharajingū-mae Station
- Abeno Harukas
- Nissay Theatre
|
|---|
| Typologies | | - building
- tower
- performance venue
|
|---|
| Materials | | - concrete
- glass
- steel
- plaster
- timber
|
|---|
| Carbon signals | Adobe and Glass look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
|
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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