| Type | work | bureau |
|---|
| Year / years | 1996 | 1969 |
|---|
| Place | Vals, Graubunden, Switzerland | Osaka, Japan |
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| Place context | Vals, Graubunden, Switzerland | Representative site: Kai, Kai, Japan |
|---|
| Climate | 10°C · 13.9h daylight · 8 km/h wind | 18°C · 13.3h daylight · 13 km/h wind · via Ryūō Station |
|---|
| Focus | Thermal baths | 27 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Ryūō Station
- Museum of Arts of Uzbekistan
- Row House in Sumiyoshi
- Onomichi City Museum of Art
|
|---|
| Typologies | - bathhouse
- hospitality
- landscape
| - building
- museum
- education
- campus building
- residence
- urban house
- landscape
- church
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete, Quartzite, and Water look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 21 of 22 recorded works are publicly accessible |
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| Related books | | |
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