| Type | work | bureau |
|---|
| Year / years | 1991 | 1969 |
|---|
| Place | Central Florida Tourism Oversight District, Central Florida Tourism Oversight District, United States | Osaka, Japan |
|---|
| Place context | Central Florida Tourism Oversight District, Central Florida Tourism Oversight District, United States | Representative site: Kai, Kai, Japan |
|---|
| Climate | 31°C · 13.0h daylight · 12 km/h wind | 13°C · 13.3h daylight · 2 km/h wind · via Ryūō Station |
|---|
| Focus | House | 27 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Arata Isozaki & Associates
| Notable works - Ryūō Station
- Museum of Arts of Uzbekistan
- Row House in Sumiyoshi
- Onomichi City Museum of Art
|
|---|
| Typologies | | - building
- museum
- education
- campus building
- residence
- urban house
- landscape
- church
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | house and office gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Access not recorded | 21 of 22 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | |
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