| Type | work | bureau |
|---|
| Year / years | 1977-1986 | 1969 |
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| Place | Sao Paulo, Brazil | Osaka, Japan |
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| Place context | Rua Clélia, Pompéia, São Paulo, São Paulo, Brasil | Representative site: 甲斐中央線, 甲斐市, 日本 |
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| Climate | 21°C · 11.6h daylight · 10 km/h wind | 15°C · 13.0h daylight · 4 km/h wind · via Ryūō Station |
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| Focus | Cultural and sports center | 8 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Ryūō Station
- Row House in Sumiyoshi
- Onomichi City Museum of Art
- Church on the Water
|
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| Typologies | - adaptive reuse
- cultural center
- sports and leisure
| - building
- residence
- urban house
- museum
- landscape
- church
- sacred space
- chapel
|
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| Materials | | |
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| Carbon signals | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. | Concrete and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 6 of 7 recorded works are publicly accessible |
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| Related books | | |
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