| Type | work | bureau |
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| Year / years | 1976 | 1969 |
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| Place | Santa Monica, Santa Monica, United States | Osaka, Japan |
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| Place context | Washington Avenue, Santa Monica, California, United States | Representative site: 甲斐中央線, 甲斐市, 日本 |
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| Climate | 18°C · 13.0h daylight · 18 km/h wind | 15°C · 13.1h daylight · 1 km/h wind · via Ryūō Station |
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| Focus | House | 8 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Ryūō Station
- Row House in Sumiyoshi
- Onomichi City Museum of Art
- Church on the Water
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| Typologies | | - building
- residence
- urban house
- museum
- landscape
- church
- sacred space
- chapel
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| Materials | | |
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| Carbon signals | Steel look like the main embodied-carbon drivers in the current palette. | Concrete and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Access not recorded | 6 of 7 recorded works are publicly accessible |
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| Related books | No linked books yet. | |
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