| Type | work | bureau |
|---|
| Year / years | 1990 | Unrecorded |
|---|
| Place | Florida, Florida, United States | Oslo, Oslo, Norway |
|---|
| Place context | Florida, Florida, United States | Representative site: Venice, Veneto, Italy |
|---|
| Climate | 30°C · 13.0h daylight · 14 km/h wind | 15°C · 13.7h daylight · 7 km/h wind · via Nordic Pavilion |
|---|
| Focus | Performance venue | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Nordic Pavilion
- Norwegian Glacier Museum
- Colosseum kino
|
|---|
| Typologies | - performance venue
- hospitality
| - pavilion
- exhibition
- museum
- cultural building
- landscape architecture
- building
|
|---|
| Materials | | |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|