| Type | work | bureau |
|---|
| Year / years | 2006 | 1921 |
|---|
| Place | 7th arrondissement of Paris, 7th arrondissement of Paris, France | Milan, Lombardy, Italy |
|---|
| Place context | 7th arrondissement of Paris, 7th arrondissement of Paris, France | Representative site: Milan, Milan, Italy |
|---|
| Climate | 12°C · 14.0h daylight · 12 km/h wind | 16°C · 13.8h daylight · 14 km/h wind · via Tempio della Vittoria, Milan |
|---|
| Focus | Museum | 6 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Tempio della Vittoria, Milan
- Torre Branca
- Pirelli Tower
- Concattedrale Gran Madre di Dio
|
|---|
| Typologies | | - chapel
- sacred space
- temple
- tower
- landscape
- cathedral
- museum
- education
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and gallery gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
|---|
| Accessibility | Publicly accessible | 5 of 5 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|
