| Type | work | bureau |
|---|
| Year / years | 1987 | 1921 |
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| Place | Paris, Ile-de-France, France | Milan, Lombardy, Italy |
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| Place context | Paris, Ile-de-France, France | Representative site: Milan, Milan, Italy |
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| Climate | 12°C · 13.8h daylight · 5 km/h wind | 16°C · 13.6h daylight · 8 km/h wind · via Tempio della Vittoria, Milan |
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| Focus | Cultural institute | 4 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Tempio della Vittoria, Milan
- Torre Branca
- Pirelli Tower
- Concattedrale Gran Madre di Dio
|
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| Typologies | - cultural center
- institutional building
- museum
| - chapel
- sacred space
- temple
- tower
- landscape
- cathedral
|
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| Materials | | |
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| Carbon signals | Aluminum, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete and Steel look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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