| Type | work | bureau |
|---|
| Year / years | 1930 | Unrecorded |
|---|
| Place | Montevideo, Montevideo Department, Uruguay | Langenlois, Niederosterreich, Austria |
|---|
| Place context | Montevideo, Montevideo Department, Uruguay | Representative site: Kansas City, Kansas City, United States |
|---|
| Climate | Climate unavailable | Climate unavailable · via Nelson-Atkins Museum of Art |
|---|
| Focus | House museum | 16 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Nelson-Atkins Museum of Art
- Bellevue Arts Museum
- Kiasma
- Loisium Hotel
|
|---|
| Typologies | | - museum
- contemporary art museum
- cultural building
- hospitality
- hotels
- hotels and restaurants
- residential
- houses
|
|---|
| Materials | | |
|---|
| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
|
|---|
| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|