saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Yokosuka Museum of Art in Yokosuka, Japan
Yokosuka Museum of Art

2007 · Yokosuka, Yokosuka, Japan

Yokosuka Museum of Art image

Museum in Yokosuka, Kanagawa Prefecture, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Yokosuka Museum of Art

Yokosuka, Yokosuka, Japan · Exact work coordinates

OpenStreetMap
Field
Yokosuka Museum of ArtYokosuka Museum of Art

2007 · Yokosuka, Yokosuka, Japan

Souto de Moura ArquitectosSouto de Moura Arquitectos

1980 · Porto, Porto District, Portugal

Typeworkbureau
Year / years20071980
PlaceYokosuka, Yokosuka, JapanPorto, Porto District, Portugal
Place contextYokosuka, Yokosuka, JapanRepresentative site: Real, Dume e Semelhe, Real, Dume e Semelhe, Portugal
Climate16°C · 13.3h daylight · 16 km/h wind11°C · 13.6h daylight · 1 km/h wind · via Estádio Municipal de Braga
FocusMuseum3 works in corpus
Architects
  • Riken Yamamoto
  • Eduardo Souto de Moura
Linked context

Bureaus

  • Riken Yamamoto & Field Shop

Notable works

  • Estádio Municipal de Braga
  • Casa das Historias Paula Rego
  • Trindade station (Porto Metro)
Typologies
  • museum
  • landscape
  • sports venue
  • museum
  • art museum
  • cultural building
  • civic building
Materials

Not recorded yet.

  • concrete
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.