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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Oslo Opera House

2008 · Oslo, Oslo, Norway

Oslo, Oslo, Norway

15°C · 15.0h daylight · 5 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Oslo Opera House

Oslo, Oslo, Norway · Exact work coordinates

OpenStreetMap

Oslo Opera House

Image 1

Oslo, Oslo, Norway

Climate: 15°C · 15.0h daylight · 5 km/h wind

Mapping: Exact work coordinates

Field
Oslo Opera House

2008 · Oslo, Oslo, Norway

Souto de Moura ArquitectosSouto de Moura Arquitectos

1980 · Porto, Porto District, Portugal

Typeworkbureau
Year / years20081980
PlaceOslo, Oslo, NorwayPorto, Porto District, Portugal
Place contextOslo, Oslo, NorwayRepresentative site: Real, Dume e Semelhe, Real, Dume e Semelhe, Portugal
Climate15°C · 15.0h daylight · 5 km/h wind22°C · 13.6h daylight · 6 km/h wind · via Estádio Municipal de Braga
FocusOpera house3 works in corpus
Architects
  • Kjetil Trædal Thorsen
  • Eduardo Souto de Moura
Linked context

Bureaus

  • Snøhetta

Notable works

  • Estádio Municipal de Braga
  • Casa das Historias Paula Rego
  • Trindade station (Porto Metro)
Typologies
  • performance venue
  • civic building
  • opera house
  • sports venue
  • museum
  • art museum
  • cultural building
  • civic building
Materials
  • marble
  • glass
  • concrete
  • concrete
Carbon signals

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

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