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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

National Museum of Western Art in Ueno-kōen, Japan
National Museum of Western Art

1959 · Ueno-kōen, Ueno-kōen, Japan

National Museum of Western Art image

Art museum in Tokyo, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

National Museum of Western Art

Ueno-kōen, Ueno-kōen, Japan · Exact work coordinates

OpenStreetMap
Field
National Museum of Western ArtNational Museum of Western Art

1959 · Ueno-kōen, Ueno-kōen, Japan

Souto de Moura ArquitectosSouto de Moura Arquitectos

1980 · Porto, Porto District, Portugal

Typeworkbureau
Year / years19591980
PlaceUeno-kōen, Ueno-kōen, JapanPorto, Porto District, Portugal
Place contextUeno-kōen, Ueno-kōen, JapanRepresentative site: Real, Dume e Semelhe, Real, Dume e Semelhe, Portugal
Climate14°C · 13.3h daylight · 2 km/h wind13°C · 13.6h daylight · 3 km/h wind · via Estádio Municipal de Braga
FocusMuseum3 works in corpus
Architects
  • Kunio Maekawa
  • Eduardo Souto de Moura
Linked context

Bureaus

  • Mayekawa Associates

Notable works

  • Estádio Municipal de Braga
  • Casa das Historias Paula Rego
  • Trindade station (Porto Metro)
Typologies
  • museum
  • gallery
  • landscape
  • sports venue
  • museum
  • art museum
  • cultural building
  • civic building
Materials

Not recorded yet.

  • concrete
Carbon signals

museum, gallery, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.