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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Minneapolis Institute of Art in Minneapolis, United States
Minneapolis Institute of Art

1883 · Minneapolis, Minneapolis, United States

Minneapolis Institute of Art image

Art museum in Minneapolis, Minnesota

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Minneapolis Institute of Art

Minneapolis, Minneapolis, United States · Exact work coordinates

OpenStreetMap
Field
Minneapolis Institute of ArtMinneapolis Institute of Art

1883 · Minneapolis, Minneapolis, United States

Souto de Moura ArquitectosSouto de Moura Arquitectos

1980 · Porto, Porto District, Portugal

Typeworkbureau
Year / years18831980
PlaceMinneapolis, Minneapolis, United StatesPorto, Porto District, Portugal
Place contextMinneapolis, Minneapolis, United StatesRepresentative site: Real, Dume e Semelhe, Real, Dume e Semelhe, Portugal
Climate4°C · 13.7h daylight · 7 km/h wind11°C · 13.6h daylight · 1 km/h wind · via Estádio Municipal de Braga
FocusMuseum3 works in corpus
Architects
  • Kenzo Tange
  • Eduardo Souto de Moura
Linked context

Bureaus

  • Kenzo Tange Associates

Notable works

  • Estádio Municipal de Braga
  • Casa das Historias Paula Rego
  • Trindade station (Porto Metro)
Typologies
  • museum
  • sports venue
  • museum
  • art museum
  • cultural building
  • civic building
Materials

Not recorded yet.

  • concrete
Carbon signals

museum gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.