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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Canadian Museum for Human Rights

2014 · Winnipeg, Manitoba, Canada

Winnipeg, Manitoba, Canada

Climate unavailable

Site spread

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No coordinates are recorded for the current selection yet.

Canadian Museum for Human Rights

Image 1

Winnipeg, Manitoba, Canada

Climate: Climate unavailable

Mapping: Coordinates not recorded

Field
Canadian Museum for Human RightsCanadian Museum for Human Rights

2014 · Winnipeg, Manitoba, Canada

Souto de Moura ArquitectosSouto de Moura Arquitectos

1980 · Porto, Porto District, Portugal

Typeworkbureau
Year / years20141980
PlaceWinnipeg, Manitoba, CanadaPorto, Porto District, Portugal
Place contextWinnipeg, Manitoba, CanadaRepresentative site: Real, Dume e Semelhe, Real, Dume e Semelhe, Portugal
ClimateClimate unavailable14°C · 13.5h daylight · 3 km/h wind · via Estádio Municipal de Braga
FocusMuseum3 works in corpus
Architects

No architects linked yet.

  • Eduardo Souto de Moura
Linked context

Bureaus

No linked context yet.

Notable works

  • Estádio Municipal de Braga
  • Casa das Historias Paula Rego
  • Trindade station (Porto Metro)
Typologies
  • museum
  • cultural building
  • national museum
  • sports venue
  • museum
  • art museum
  • cultural building
  • civic building
Materials
  • glass
  • stone
  • concrete
  • concrete
Carbon signals

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.