| Type | work | bureau |
|---|
| Year / years | 1992 | 1911 |
|---|
| Place | Charlotte, Charlotte, United States | Stockholm, Stockholm County, Sweden |
|---|
| Place context | Charlotte, Charlotte, United States | Representative site: Rosengård, Rosengård, Sweden |
|---|
| Climate | 7°C · 13.3h daylight · 6 km/h wind | 4°C · 14.5h daylight · 22 km/h wind · via Östra kyrkogården, Malmö |
|---|
| Focus | Architecture | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Östra kyrkogården, Malmö
- Malmö Opera
- Markuskyrkan
|
|---|
| Typologies | | - building
- house
- performance venue
- church
- sacred space
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | building, house, performance venue, and church gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|