| Type | work | bureau |
|---|
| Year / years | 1967 | 1985 |
|---|
| Place | Westmount, Westmount, Canada | Tokyo, Tokyo, Japan |
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| Place context | Avenue Elm, Westmount, Québec, Canada | Representative site: 女川町, 日本 |
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| Climate | 0°C · 13.4h daylight · 12 km/h wind | 14°C · 13.1h daylight · 11 km/h wind · via Onagawa Station |
|---|
| Focus | Housing | 9 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Onagawa Station
- Paper Dome
- Centre Pompidou-Metz
- Ōita Prefectural Art Museum
|
|---|
| Typologies | | - performance venue
- church
- sacred space
- museum
- civic building
- landscape
- cathedral
- office
|
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| Materials | | |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Access not recorded | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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