| Type | work | bureau |
|---|
| Year / years | 1930 | 1985 |
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| Place | Montevideo, Montevideo Department, Uruguay | Tokyo, Tokyo, Japan |
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| Place context | Montevideo, Montevideo Department, Uruguay | Representative site: Onagawa, Onagawa, Japan |
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| Climate | 19°C · 11.0h daylight · 12 km/h wind | 15°C · 13.4h daylight · 5 km/h wind · via Onagawa Station |
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| Focus | House museum | 9 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Onagawa Station
- Paper Dome
- Centre Pompidou-Metz
- Cardboard Cathedral
|
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| Typologies | | - performance venue
- church
- sacred space
- museum
- cathedral
- religious building
- temporary architecture
- civic building
|
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| Materials | | - cardboard
- timber
- polycarbonate
- glass
|
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| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | Cardboard, Glass, and Polycarbonate look like the main embodied-carbon drivers in the current palette. - Cardboard
- Glass
- Polycarbonate
|
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| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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