| Type | work | bureau |
|---|
| Year / years | 1980 | 1985 |
|---|
| Place | Ried-Brig, Ried-Brig, Switzerland | Tokyo, Tokyo, Japan |
|---|
| Place context | Ganterhöhenweg, Ried-Brig, Valais/Wallis, Schweiz/Suisse/Svizzera/Svizra | Representative site: 女川町, 日本 |
|---|
| Climate | 15°C · 13.6h daylight · 6 km/h wind | 6°C · 13.3h daylight · 8 km/h wind · via Onagawa Station |
|---|
| Focus | Architecture | 9 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Onagawa Station
- Paper Dome
- Centre Pompidou-Metz
- Cardboard Cathedral
|
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| Typologies | | - performance venue
- church
- sacred space
- museum
- cathedral
- religious building
- temporary architecture
- civic building
|
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| Materials | | - cardboard
- timber
- polycarbonate
- glass
|
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| Carbon signals | Concrete look like the main embodied-carbon drivers in the current palette. | Cardboard, Glass, and Polycarbonate look like the main embodied-carbon drivers in the current palette. - Cardboard
- Glass
- Polycarbonate
|
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
| - Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Access not recorded | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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