| Type | work | bureau |
|---|
| Year / years | 1926 | Unrecorded |
|---|
| Place | Ueno-kōen, Ueno-kōen, Japan | New York, United States |
|---|
| Place context | Ueno-kōen, Ueno-kōen, Japan | Representative site: Loiu, Loiu, Spain |
|---|
| Climate | 23°C · 13.3h daylight · 5 km/h wind | 13°C · 13.7h daylight · 2 km/h wind · via Bilbao Airport |
|---|
| Focus | Museum | 47 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Bilbao Airport
- Westfield World Trade Center
- Athens Olympic Sports Complex
- Olympic Stadium (Athens)
|
|---|
| Typologies | | - transport hub
- performance venue
- building
- sports venue
- infrastructure
- tower
- landscape
- civic building
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 16 of 16 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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