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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

SANAASANAA

1995 · Tokyo, Japan

Typeworkbureau
Year / years19301995
PlaceMontevideo, Montevideo Department, UruguayTokyo, Japan
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Hitachi, Hitachi, Japan
Climate19°C · 11.0h daylight · 13 km/h wind17°C · 13.4h daylight · 23 km/h wind · via Hitachi Station
FocusHouse museum11 works in corpus
Architects
  • Julio Vilamajo
  • Kazuyo Sejima
  • Ryue Nishizawa
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Hitachi Station
  • New Museum
  • 21st Century Museum of Contemporary Art, Kanazawa
  • Towada Art Center
Typologies
  • house
  • museum
  • residence
  • performance venue
  • museum
  • cultural building
  • gallery
  • university building
  • learning center
  • academic building
  • landscape
Materials
  • masonry
  • stucco
  • timber
  • glass
  • aluminum
  • steel
  • concrete
  • timber
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Aluminum, Concrete, and Steel look like the main embodied-carbon drivers in the current palette.

  • Aluminum
  • Concrete
  • Steel
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Focus on recycled content, lighter assemblies, and careful facade-specification choices.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible10 of 10 recorded works are publicly accessible
Related books

No linked books yet.