| Type | work | bureau |
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| Year / years | 2009 | 1995 |
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| Place | Ottignies-Louvain-la-Neuve, Ottignies-Louvain-la-Neuve, Belgium | Tokyo, Japan |
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| Place context | Place Montesquieu, Bruyères, Ottignies-Louvain-la-Neuve, Brabant wallon, België / Belgique / Belgien | Representative site: 百万石通り, 石引四丁目, 金沢市, 日本 |
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| Climate | 18°C · 13.6h daylight · 25 km/h wind | 11°C · 13.0h daylight · 4 km/h wind · via 21st Century Museum of Contemporary Art, Kanazawa |
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| Focus | Museum | 2 works in corpus |
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| Architects | | - Kazuyo Sejima
- Ryue Nishizawa
|
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| Linked context | Bureaus | Notable works - 21st Century Museum of Contemporary Art, Kanazawa
- Rolex Learning Center
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| Typologies | | - museum
- cultural building
- education
- library
- campus building
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| Materials | Not recorded yet. | - glass
- aluminum
- steel
- concrete
|
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| Carbon signals | museum gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Aluminum, Concrete, and Steel look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | No levers surfaced yet. | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | |
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