| Type | work | bureau |
|---|
| Year / years | 1916 | 1995 |
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| Place | Cambridge, Cambridge, United States | Tokyo, Japan |
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| Place context | Cambridge, Cambridge, United States | Representative site: Hitachi, Hitachi, Japan |
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| Climate | 7°C · 13.6h daylight · 18 km/h wind | 13°C · 13.3h daylight · 12 km/h wind · via Hitachi Station |
|---|
| Focus | Architecture | 11 works in corpus |
|---|
| Architects | | - Kazuyo Sejima
- Ryue Nishizawa
|
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| Linked context | Bureaus | Notable works - Hitachi Station
- New Museum
- 21st Century Museum of Contemporary Art, Kanazawa
- Towada Art Center
|
|---|
| Typologies | - campus building
- infrastructure
| - performance venue
- museum
- cultural building
- gallery
- university building
- learning center
- academic building
- landscape
|
|---|
| Materials | Not recorded yet. | - glass
- aluminum
- steel
- concrete
- timber
|
|---|
| Carbon signals | campus building and infrastructure gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Aluminum, Concrete, and Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Access not recorded | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | |
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