| Type | work | bureau |
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| Year / years | 2017 | Unrecorded |
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| Place | Hamburg, Hamburg, Germany | Singapore, Singapore |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Ontario, Ontario, Canada |
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| Climate | Climate unavailable | Climate unavailable · via National Gallery of Canada |
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| Focus | Concert hall | 19 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - National Gallery of Canada
- Salt Lake City Public Library
- Yad Vashem
- Habitat 67
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - museum
- gallery
- library
- memorial
- housing
- residential complex
- prefabrication
- building
|
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| Materials | | |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 9 of 9 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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