saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hiroshima Peace Memorial Museum in Nakajimachō, Japan
Hiroshima Peace Memorial Museum

1955 · Nakajimachō, Nakajimachō, Japan

Hiroshima Peace Memorial Museum image

Peace museum in Hiroshima, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Hiroshima Peace Memorial Museum

Nakajimachō, Nakajimachō, Japan · Exact work coordinates

OpenStreetMap
Field
Hiroshima Peace Memorial MuseumHiroshima Peace Memorial Museum

1955 · Nakajimachō, Nakajimachō, Japan

Rudy RicciottiRudy Ricciotti

1985 · Bandol, Provence-Alpes-Cote d'Azur, France

Typeworkbureau
Year / years19551985
PlaceNakajimachō, Nakajimachō, JapanBandol, Provence-Alpes-Cote d'Azur, France
Place contextNakajimachō, Nakajimachō, JapanRepresentative site: Aix-en-Provence, Aix-en-Provence, France
Climate20°C · 13.2h daylight · 4 km/h wind13°C · 13.7h daylight · 3 km/h wind · via Pavillon Noir
FocusMuseum5 works in corpus
Architects
  • Kenzo Tange
  • Rudy Ricciotti
Linked context

Bureaus

  • Kenzo Tange Associates

Notable works

  • Pavillon Noir
  • Jean Cocteau Museum
  • Museum of European and Mediterranean Civilisations
  • Arkéa Arena
Typologies
  • museum
  • memorial
  • landscape
  • building
  • museum
  • education
  • campus building
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

museum, memorial, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

building, museum, education, and campus building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.