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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay
Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

OpenStreetMap
Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Rogelio SalmonaRogelio Salmona

Bogota, Bogota Capital District, Colombia

Typeworkbureau
Year / years1930Unrecorded
PlaceMontevideo, Montevideo Department, UruguayBogota, Bogota Capital District, Colombia
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Bogota, Bogota Capital District, Colombia
Climate20°C · 11.0h daylight · 4 km/h wind15°C · 12.3h daylight · 12 km/h wind · via Bogota Museum of Modern Art
FocusHouse museum3 works in corpus
Architects
  • Julio Vilamajo
  • Rogelio Salmona
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Bogota Museum of Modern Art
  • General Archive of the Nation (Colombia)
  • Virgilio Barco Library
Typologies
  • house
  • museum
  • residence
  • museum
  • cultural building
  • building
  • library
  • civic building
Materials
  • masonry
  • stucco
  • timber
  • brick
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Brick look like the main embodied-carbon drivers in the current palette.

  • Brick
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

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