| Type | work | bureau |
|---|
| Year / years | 1990 | 1963 |
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| Place | Florida, Florida, United States | New York, New York, United States |
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| Place context | Florida, Florida, United States | Representative site: Frankfurt-Süd, Frankfurt-Süd, Germany |
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| Climate | 31°C · 13.0h daylight · 10 km/h wind | 11°C · 14.0h daylight · 4 km/h wind · via Museum Angewandte Kunst |
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| Focus | Performance venue | 21 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Museum Angewandte Kunst
- Des Moines Art Center
- Frederick J. Smith House
- J. Paul Getty Museum
|
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| Typologies | - performance venue
- hospitality
| - museum
- house
- campus building
- performance venue
- temple
- sacred space
- civic building
- landscape
|
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| Materials | | |
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Adobe, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 11 of 11 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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