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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hiroshima Peace Memorial Museum in Nakajimachō, Japan

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Hiroshima Peace Memorial Museum

1955 · Nakajimachō, Nakajimachō, Japan

Hiroshima Peace Memorial Museum image

Peace museum in Hiroshima, Japan

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Pins are normalized from the recorded work coordinates so you can read the set spatially.

Hiroshima Peace Memorial Museum

Nakajimachō, Nakajimachō, Japan · Exact work coordinates

OpenStreetMap

Comparison

Field
Hiroshima Peace Memorial MuseumHiroshima Peace Memorial Museum

1955 · Nakajimachō, Nakajimachō, Japan

Richard Meier & Partners ArchitectsRichard Meier & Partners Architects

1963 · New York, New York, United States

Typeworkbureau
Year / years19551963
PlaceNakajimachō, Nakajimachō, JapanNew York, New York, United States
Place contextNakajimachō, Nakajimachō, JapanRepresentative site: Frankfurt-Süd, Frankfurt-Süd, Germany
Climate22°C · 13.2h daylight · 6 km/h wind7°C · 14.1h daylight · 5 km/h wind · via Museum Angewandte Kunst
FocusMuseum21 works in corpus
Architects
  • Kenzo Tange
  • Richard Meier
Linked context

Bureaus

  • Kenzo Tange Associates

Notable works

  • Museum Angewandte Kunst
  • Des Moines Art Center
  • Frederick J. Smith House
  • J. Paul Getty Museum
Typologies
  • museum
  • memorial
  • landscape
  • museum
  • house
  • campus building
  • performance venue
  • temple
  • sacred space
  • civic building
  • landscape
Materials

Not recorded yet.

  • adobe
  • glass
  • stone
Carbon signals

museum, memorial, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Adobe, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Adobe
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Use classification and product-level EPD research to place this material more precisely.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible11 of 11 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.