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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Aga Khan Museum in Toronto, Canada

Hero image

Aga Khan Museum

2014 · Toronto, Ontario, Canada

Aga Khan Museum image

Museum of Islamic art in Toronto, Canada

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Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Aga Khan Museum

Toronto, Ontario, Canada · City-level coordinates only

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Comparison

Field
Aga Khan MuseumAga Khan Museum

2014 · Toronto, Ontario, Canada

Ricardo Bofill Taller de ArquitecturaRicardo Bofill Taller de Arquitectura

1963 · Barcelona, Catalonia, Spain

Typeworkbureau
Year / years20141963
PlaceToronto, Ontario, CanadaBarcelona, Catalonia, Spain
Place contextToronto, Ontario, CanadaRepresentative site: Calp, Valencian Community, Spain
Climate3°C · 13.7h daylight · 16 km/h wind21°C · 13.4h daylight · 11 km/h wind · via La Muralla Roja
FocusMuseum2 works in corpus
Architects
  • Fumihiko Maki
  • Ricardo Bofill
Linked context

Bureaus

  • Maki and Associates

Notable works

  • La Muralla Roja
  • Walden 7
Typologies
  • museum
  • cultural building
  • art museum
  • housing
  • coastal building
  • residential complex
  • collective housing
Materials
  • granite
  • glass
  • steel
  • concrete
  • stucco
  • paint
  • ceramic
  • painted stucco
Carbon signals

Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Steel
  • Glass
  • Stone

Concrete, Ceramic, and Paint look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Ceramic
  • Paint
Lower-carbon levers
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
AccessibilityPublicly accessible0 of 2 recorded works are publicly accessible
Related books

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