| Type | work | bureau |
|---|
| Year / years | 1944 | 1981 |
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| Place | Lordelo do Ouro e Massarelos, Lordelo do Ouro e Massarelos, Portugal | Genoa, Liguria, Italy |
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| Place context | Rua de Serralves, Lordelo do Ouro, Bessa, Porto, Portugal | Representative site: South Michigan Avenue, Loop, Jewelers Row, Chicago, Illinois, United States |
|---|
| Climate | 11°C · 13.2h daylight · 13 km/h wind | 27°C · 13.2h daylight · 34 km/h wind · via Art Institute of Chicago |
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| Focus | Museum | 18 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Art Institute of Chicago
- Harvard Art Museums
- High Museum of Art
- NEMO (museum)
|
|---|
| Typologies | | - museum
- landscape
- education
- campus building
- house
- building
- sports venue
- performance venue
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 11 of 11 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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